Prologue page 1-3
Main events
|
-tell us where Truth is and where Brightwater is
-tells us about the churches role in the community
|
Characters
|
The Baptists, Methodists, Indians animals
|
Elements and techniques
|
Simile: “the shield is
slipping back into the land like a knife”. (p. 1)
|
Dramatic purpose
|
Developing the setting: “you can look up through the open planking
and the rusting webs of iron mesh, and see the sky.” (p. 1)
|
Themes and motifs
|
Appearance vs. reality: “ the bridge between Truth and Bright water
looks whole and complete.” (p. 1)
|
Symbols and vivid words
|
“As if a thick spike has been driven through the church itself and
hammered into the prairies.” (p. 1)
|
FNMI & Prairie Connections
|
A reserve on one side and a railroad town on the American side.
|
Chapter 1 page4-16
Main events
|
-We find out Lum has a gun
-They see a lady at the horns who floats off the edge
and they eventually go looking for her but don’t find her
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Characters
|
Lum and his dog soldier, the mother and father
|
Elements and techniques
|
Allusions: a reference to an Olympic runner “hell, I’m
as good as Tom Longboat already.” Page 6 paragraph 5
|
Dramatic purpose
|
Danger: “we didn’t play Russian roulette.” Page 6
paragraph 1
|
Themes and motifs
|
Appearance vs. reality: “the woman seems to float in
the lights.” Page 8
|
Symbols and vivid words
|
“her body stretched out and arched, as if she’s decided
to ride the warm currents that rise off the river and sail all the way to Brightwater.”
Page 11 paragraph 3
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FNMI
|
Having a powwow. “It’s powwow time.” Page 16
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Chapter 2 page
17-24
Main events
|
He tells his mother that they found the skull, we are
introduced to Lucy who wants to be like Marilyn Monroe, she tries to die and
cut her hair just like Marilyn.
|
Characters
|
The mother, Lucy Rabbit, Lum
|
Elements and techniques
|
Simile: “she looked like a carrot.”
|
Dramatic purpose
|
Lucy getting her hair colored so she looked like
Marilyn Monroe
|
Themes and motifs
|
Allusion: “Snow White and the Seven Dwarfs.” Page 22
paragraph 10
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Symbols and vivid words
|
Railroads,
Brightwater, Edmonton
|
FNMI & Prairie Connections
|
Lucy believes that Marilyn Monroe was a native ““She
was probably Cree, “says Lucy, “or maybe Ojibwa.””
|
Chapter 3 page
25-31
Main events
|
The church was out up for sale and eventually sold to
Munroe Swimmer a famous native painter from Truth.
|
Characters
|
Lucille rain, -Miles Deardorf, Lucille Rain, Skee, Gabriel Tucker, Monroe Swimmer, Narrator
|
Elements and techniques
|
Hyperbole: “…they’ve got Ojibwas coming out their
ears.”
|
Dramatic purpose
|
Character development:
“he began throwing paint at them, and fending them off with his
brushes.” Page 29
|
Themes and motifs
|
Allusion “couldn’t really paint worth a damn,” miles
told us. “ but, hey, did that stop Picasso?” page 28
|
Symbols and vivid words
|
Mystery, rumors, artist painting “began painting a pack
of wolves eating a moose in the front window.”
|
FNMI & Prairie Connections
|
A small town in the prairies where everyone one goes
everyone so they know what is going on around the town.
|
Chapter 4 page
31-38
Main events
|
He goes to see his father and he tries to tell him
about the skull he found.
-they go for lunch and talk about learning to drive and
getting a job.
|
Characters
|
Mother, father, miles Deardorf, Gabriel Tucker, Skee Gardipeau,
|
Elements and techniques
|
Simile: “But like the river, it doesn’t run straight.”
(P.31)
|
Dramatic purpose
|
Character development: introducing new characters to
add detail. (miles Deardorf, Gabriel Tucker, Skee Gardipeau)
|
Themes and motifs
|
Absence: “My birthday was last week.” (P.36)
|
Symbols and vivid words
|
Car, Rosewood Toothpicks, Division Street South, Indian, Division Street North, Carpenter
|
FNMI & Prairie Connections
|
The father was going to make carvings and sell them to
the tourists.
“Everybody’s going crazy over traditional Indian
stuff.” (p. 33)
|
Chapter 5
page39-40
Main events
|
We find out that the cousins are not people they are
dogs.
|
Characters
|
Skee, Lum, the cousins, grandmother
|
Elements and techniques
|
Hyperbole: “The Spanish did that with the Indian’s in
Mexico.” (P.39)
|
Dramatic purpose
|
To describe what happens in the church.
“No one had ever fed the cousins, not the Baptists, not
the Nazarenes, and certainly not the First Assembly of God.” (P. 40)
|
Themes and motifs
|
Death: “The most humane thing to do is to go up there
and shoot all three of them.” (p. 40)
|
Symbols and vivid words
|
Canada ,Waterton,
Bright Water, Banff, Bridge, Glacier, Reserve ,
Yellowstone, Sacred, Gospel, Mexico , Priests, Baptists, Nazarenes, Ghosts
|
FNMI & Prairie Connections
|
The dogs look out for ghosts: “They watched out for
ghosts.”
|
Chapter 6 page
41-51
Main events
|
Before the church stood out, we find out that Monroe is
painting the church so it blends in.
|
Characters
|
Wally, Emery Youngman, Maria Topalovich, Eddie baton,
Wilfrid first Rider, Gabriel, Sherman, Joe Richards, Peggy Richards, Andy
Layne, Monroe (magic realism)
|
Elements and techniques
|
Foreshadowing: “they look like long, slender bones.”
(p.51)
|
Dramatic purpose
|
Magic realism: “it must have had something to do with
the paint and the way the colors of the land and the sky carry over into the
word.” (p. 51)
|
Themes and motifs
àvisual
project
|
Appearance vs. reality: “ I don’t know how Monroe has done
it, but he’s painted this side so it blends in with the prairies and the sky”
(p.44)
|
Symbols and vivid words
|
Chinook motel, the farmers bank, continental oil tower,
|
FNMI & Prairie Connections
|
It’s harder for native s to get a job “he always hires
white guys before he hires Indians.” (p.42)
|
Chapter 7 page
52-62
Main events
|
The narrator and the mother meet auntie Cassie, she
tells them about her travels, the mother tells the narrator to go check the
chickens and the rest of the family argues.
|
Characters
|
Tecumseh, auntie Cassie, the mother, the grandmother, Terry, Pat, Chris, Mia, Elvin, Arthur
Circle, Monroe,
|
Elements and techniques
|
Malapropism: “Do you want to play pokie?” (p.57)
Simile: “the fog glows like steel.” (p.62)
|
Dramatic purpose
|
Making us think they have a big secret: “Everyone was
alive when I left.”(p.60)
|
Themes and motifs
|
Secrets: the mother makes him go outside and check the
chickens while they talk. “Everyone was alive when I left.”(p.60)
|
Symbols and vivid words
|
Edmonton, truth, car, Tecumseh, tattoo, fog
|
FNMI & Prairie Connections
|
“I want to see the Red Indians.” (p.56)
|
Chapter 8 page
63-64
Main events
|
The mother is building a quilt but it not an ordinary
quilt, it had earrings and razor blades build into it. The quilt would only
be safe if you didn’t move while you were under it.
|
Characters
|
Narrator, father, mother
|
Elements and techniques
|
Simile: “the patterns on the quilt looked a lot like
trees and mountains and people and animal.” (p.63)
|
Dramatic purpose
|
Set up for future story line with the quilt “then id
stay away from that quilt.”(p. 64)
|
Themes and motifs
|
Danger: “I bought her a really nice pair of earrings
once, and they wound up on the quilt. I wanted to know the story behind the
needles and fish hooks, but my father said that came later.” (p. 64)
|
Symbols and vivid words
|
Quilt, mother, earrings, prairie view, razor blades,
mountains, fish hooks
|
FNMI & Prairie Connections
|
Make their clothing and necessities as opposed to
buying them. “The quilt is not a fancy machine stitched quilt that you can
get in prairie view that’s why it as taken my mother so long to finish it.”
(p.63)
|
Chapter 9 page 65-
77
Main events
|
Lum comes over and they hide the skull in to rafters of
the house/ shop. Lum and the narrator leave and think about where the skull
could have come from
|
Characters
|
Narrator, Lum, mother,
|
Elements and techniques
|
Simile: “it hangs just below the rafters and above the
light, as if it’s floating in space.” (p.69)
Juxtaposition: “my mother turns and smiles at Lum, but
I can see she’s looking at his eye.” (p.71)
|
Dramatic purpose
|
Set up for future story, leaving the skull for later to
find out who’s it is.
|
Themes and motifs
|
Response to injustice: Lums mother is dead but the
narrator’s mother is mothering toward him “you know you’re always welcome.”
(p.71)
|
Symbols and vivid words
|
Skull, jail, father, bones, skins,
|
FNMI & Prairie Connections
|
First nation’s people sometimes point using their lips “Lum
pushes his lips at the skull on the table.” (p. 68)
|
Chapter 10 page
78-83
Main events
|
The family goes on a vacation, the go camping to a lake
the father leaves part way through the trip and says he has business to do,
he doesn’t come back do they take the bus.
|
Characters
|
Lucy rabbit, mother, father, Gabriel Tucker,
|
Elements and techniques
|
Metaphor “the air felt heavy and dark.” (p.80)
|
Dramatic purpose
|
Talking about the vacation so it can build up their
relationship for later on
|
Themes and motifs
|
Mystery: the father leaving during the vacation and the
reader not knowing where he is. “I’ll be back before you know it.” (p.80)
|
Symbols and vivid words
|
Prairies, hotel,
|
FNMI & Prairie Connections
|
“It’ll give us a view of the lake and the mountains and
the prairies all at once.” (p.81)
|
Chapter 11 page
84-96
Main events
|
The narrator and his father go across the border and
load TV’s and stereos into the back of the truck, the narrator also learns to
drive a standard.
|
Characters
|
Lum, father, mother, franklin, Gabriel Tucker,
|
Elements and techniques
|
Metaphor: “drunker than skunks and twice as mean.”
(p.89)
Simile: “the tent looks like white ice floating in a
gold sea.” (p.96)
|
Dramatic purpose
|
Character development: we learn more about the narrator
and the fathers relationship “
|
Themes and motifs
|
Money: the father is making coyotes to sell at Indian
days so he can make some more money. “The fat cats from the city will eat
these up.”
|
Symbols and vivid words
|
Canada, father, jail , smoke, alcohol, Calgary,
treaties, buffalo,
|
FNMI & Prairie Connections
|
“Mexican jails are full of Mexicans, says my father,
“but Canadian jails are full of Indians.” (p.90)
|
Chapter 12 page
97-101
Main events
|
The mother and aunt Cassie talk about when they were in
beauty school together, they also talk about how they went on a double dare
and half way through they switched dresses and changed their hair to confuse
their dates, it worked , we find out that the guys they were on a date with
is the father and the uncle.
|
Characters
|
Mother, father, aunt Cassie, narrator, grandmother,
|
Elements and techniques
|
|
Dramatic purpose
|
Switching dresses it makes us think who was supposed to
be with who. “this was the woman he was going to marry.” (p.100)
|
Themes and motifs
|
Family: “couldn’t separate the two of them.”
|
Symbols and vivid words
|
Community college, American Indian Movement,
|
FNMI & Prairie Connections
|
“Is that when you joined the American Indian movement?”
(p.98)
|
Chapter 13 page
102-114
Main events
|
Tecumseh learns to drive a standard, when he is parking
the truck he hits the tent and rips it.
|
Characters
|
Narrator, father, uncle, Mary hicks, Marvin Simon,
Carleton coombs, Rebecca Neugin, Mr. John Ross, Elvin,
|
Elements and techniques
|
Simile: “the smell wasn’t a particularly bad smell like
the stench of rotting meat or an angry skunk.” (p.107)
|
Dramatic purpose
|
Franklin being mad at Tecumseh for the tent, so we can
see how he reacts
|
Themes and motifs
|
Anger: franklin is mad at Tecumseh “where the hell do
you think you’re going!”
|
Symbols and vivid words
|
Buffalo, happy trails, tent, elected chief, band,
elders,
|
FNMI & Prairie Connections
|
-“or get elected chief” (p. 105)
-“Tailfeather twins over at Siksika.” (p. 107)
|
Chapter 14 page
115- 124
Main events
|
Tecumseh goes into the rafters in his mother’s shop to
look at the skull, when he is up there his mother and auntie Cassie come in
and start talking ( they don’t know he is there. They start talking about
|
Characters
|
Father, narrator, mother, auntie Cassie,
|
Elements and techniques
|
Simile: “the noise went through the house like a hard
wind.” (p.118)
Simile: “lasts about as long as cut flowers.” (p.121)
|
Dramatic purpose
|
Mystery: the mother giving away the baby clothes to
auntie Cassie “some of the clothes are really stupid, and some of them are
cute in a goofy sort of way, but I can’t remember ever wearing any of them.”
(p.121)
|
Themes and motifs
|
“or I could tell her the truth, that I went to Bright Water with my father to help
him deliver four speakers and two motorcycles with side cars”(p.116)
|
Symbols and vivid words
|
Mia,
|
FNMI & Prairie Connections
|
“…and I’m thinking that the skull may have been moving
around in the dark, playing a game.” (p.119)
|
Chapter 15 page
125-126
Main events
|
We find out that aunt Cassie travels a lot and doesn’t
really saty in one place for too long. Whenever she was gone she would send
Tecumseh a gift in the summer.
|
Characters
|
Auntie Cassie,
Tecumseh, Lum,
|
Elements and techniques
|
|
Dramatic purpose
|
Getting presents in July instead of at his birthday “
you mean like your father.”(p. 126)
|
Themes and motifs
|
Allusion: “Anne of green Gables is a classic” (p.126)
|
Symbols and vivid words
|
Drawers, gifts, travel
|
FNMI & Prairie Connections
|
“when we were girls this was one of our favourite
books.” (p.126)
|
Chapter 16 page
127-145
Main events
|
Tecumseh wakes up and the house is a mess aunt Cassie
slept over, and they had a lot of wine, the mother comes back with flowers
|
Characters
|
Lum,
Franklin, Wally Preston, Tecumseh, Monroe Swimmer, Miles Deardorf, cousins,
|
Elements and techniques
|
Verbal irony: yeah, that’s what the old man said, and
lum laughs. “Those were his exact words.”(p.127)
Allusion: “Eugene Field,” says Monroe. “Sailed on a
crystal light into a sea of dew.”
|
Dramatic purpose
|
The quilt and the baby clothes being put out together,
it makes us think that they are somehow linked. “My mother’s quilt is piled
up on the couch. The suitcase is open, and the baby clothe are arranged in
little stacks next to a couple of wine glasses.” (p.127)
|
Themes and motifs
|
|
Symbols and vivid words
|
Tobacco, sweet grass, ceremony, buffalo,
|
FNMI & Prairie Connections
|
Having a ceremony Monroe asks Tecumseh if he has any
sweet grass or tobacco “ we should have a ceremony,” (p.140)
|
Chapter 17
Main events
|
Tecumseh gets back to the house and it is still a mess,
the mother is looking at pictures on the floor and asks if he remembers
staying at the waterton hotel.
|
Characters
|
Lum, Mother, father, Tecumseh, martin, Joseph Fox
|
Elements and techniques
|
|
Dramatic purpose
|
Looking at cities as if she is unhappy where she is;“if
you could live anywhere in the world where would it be?”
|
Themes and motifs
|
|
Symbols and vivid words
|
Move, father, Toronto, Victoria
|
FNMI & Prairie Connections
|
“Native Earth Preforming arts in Toronto.”
|
Chapter 18 page
155-163
Main events
|
|
Characters
|
|
Elements and
techniques
|
|
Dramatic purpose
|
|
Themes and
motifs
|
|
Symbols and
vivid words
|
|
FNMI & Prairie Connections
|
|
Chapter 19
Main events
|
A car was discovered in on the high prairies, a famous
photographer was in the car and the RCMP though they were robbed because
there was no sigh of suicide.
|
Characters
|
Narrator, Helmut may, Eva, RCMP
|
Elements and techniques
|
Personification: “ it was found standing in the middle
of the prairies” (p.164)
|
Dramatic purpose
|
Finding a jeep with people still I it” when the RCMP
finally found the jeep, the mays were sitting in the front seat with their
seat belts fastened.”
|
Themes and motifs
|
Death: “…and nothing to indicate suicide, the cause of
death was listed simply as “exposure””
|
Symbols and vivid words
|
Calgary herald, prairies, mountains
|
FNMI & Prairie Connections
|
“ it was found standing in the middle of the prairies”
(p.164
|
Chapter 20 page
166-174
Main events
|
Tecumseh goes to his grandmother and helps her pluck
the chickens; he tells her that they found a skull out on the horns.
|
Characters
|
Lum, Tecumseh, franklin,
father, carol millerfether, grandmother, auntie Cassie,
|
Elements and techniques
|
Simile: “the buffalo stand still as stone” (p.166)
|
Dramatic purpose
|
Using the chickens to represent fear, if you leave the
inside of the coop where it is safe: “the live chickens are clucking happily,
but as soon as they see soldier, they back away from the wire, and the
clucking turns hard and suspicious.” (p.167)
|
Themes and motifs
|
Fear and foresight: Bad luck to play with the dead
(p.170
|
Symbols and vivid words
|
Chickens, tattoo, red ribbon, baby clothes
|
FNMI & Prairie Connections
|
Calgary: “he’s already called the television stations
in Calgary and prairie view.” (p.166)
|
Chapter 21 page
175- 182
Main events
|
Tecumseh bandages up Soldier. Tecumseh is convinced
that Aunt Cassie is pregnant, that why she wanted baby clothes
|
Characters
|
Tecumseh, Skee, Miles, father, Sherman, Gabriel, Monroe
Swimmer,
|
Elements and techniques
|
Simile: “the burger and the fries bounce and rattle
around like coins in a can,”(p.177)
|
Dramatic purpose
|
|
Themes and motifs
|
The bridge: “the decking’s begun to wrap.”( p.176)
|
Symbols and vivid words
|
Bridge, economy, dna, parliament
|
FNMI & Prairie Connections
|
Chapter 22 page
183-190
Main events
|
Lum joins them and puts out their fire
- he sees what Soldier found in the river
- they are with the skull on at the Horns when a light
in the church turns on, they go over to investigate
- it appears there is a naked lady with Monroe
|
Characters
|
Lum, Soldier, Narrator, Strange woman
|
Elements and techniques
|
Techniques Personification: “… and the fog clings to
the sleeping bag like sweat.” (pg. 190)
|
Dramatic purpose
|
Suspense:
“Soldier and I hear the danger at the same time, but
it’s too late.” (pg. 187)
|
Themes and motifs
|
Appearance vs. Reality:
“He thought you were going to fall, he was trying to
help.” (pg. 186)
|
Symbols and vivid words
|
fog, skull
|
FNMI & Prairie Connections
|
FNMI/ Prairie connections Dreams and spiritual beings:
“She’s pale blue, like the pad, and in the moonlight,
as she rises out of the water and wades ashore, she looks cold and lonely.”
(pg. 190)
|
Chapter 23 page
191- 196
Main events
|
Tecumseh’s father brought home a new dog
|
Characters
|
Soldier, father, mother, narrator, Lum
|
Elements and techniques
|
Metaphor:
“All of him was about the size of a grapefruit.” (pg.
192
|
Dramatic purpose
|
Fills in background information about Soldier:
“I don’t remember when we began simply calling him
Soldier.” (pg. 196)
|
Themes and motifs
|
Appearance vs. Reality:
“It is as though it had always been his name, and had
been waiting for him to find it.” (pg. 196)
|
Symbols and vivid words
|
Soldier, runt, Bright Water, status papers
|
FNMI & Prairie Connections
|
FNMI/ Prairie connections Dog soldiers:
“They were the bravest men in the tribe, the ones who
stayed
behind and protected the people from attack.” (pg. 196)
|
Chapter 24 page
197- 210
Main events
|
- Tecumseh looks for other job postings just in case it
doesn’t work out with Monroe
- his dad takes all of the money that his mom left for
him
- goes to see Monroe unannounced
- meets up with Rebecca
|
Characters
|
father, Monroe,
Wally, Soldier, Eddie Baton, Sherman Youngman, Wilfred First Rider,
Franklin*, Lum, aunt Cassie,
Rebecca
|
Elements and techniques
|
Simile:
“Soldier stands behind him, his tongue hanging out of
his mouth like a wet sock.” (pg. 199)
Allusion:
“Every time the detective came home, the sidekick would
attack him, just to keep him in shape.” (pg. 202)
|
Dramatic purpose
|
Subtle hints to reader:
“…and at first, I can’t tell if it’s a man or a woman.
But it’s Monroe’s voice.” (pg. 202)
|
Themes and motifs
|
Appearance vs. Reality:
“Spent so much time together, we thought they were hot
for each other.” (pg. 199)
|
Symbols and vivid words
|
apple, red ribbon
|
FNMI & Prairie Connections
|
First nations don’t work and just wait for handouts
(stereotype)
“We don’t need a job anyway. That’s right, we’re
indigenous.” (pg. 200)
|
Chapter 25 page
211-213
Main events
|
|
Characters
|
Lucy Rabbit, mother, Marilyn Monroe, Lum, Elvis
Presley, Adolf Hungary Wolf
|
Elements and techniques
|
Character foils: Talk about Marilyn Monroe and Elvis
Presley
“Lucy Rabbit figures Marilyn Monroe is an Indian
because of pictures she saw of Marilyn when she was young.” (P.211)
|
Dramatic purpose
|
Learning about the internet from Lucy Rabbit:
“Lucy worked for the band, and there wasn’t much about
a computer that Lucy couldn’t explain.” (P.211)
|
Themes and motifs
|
Making connections to celebrity lives (character
foils): “she dies young, of drugs, sounds like an Indian to me.” (p.211)
|
Symbols and vivid words
|
Blonde hair, Dying hair, Black hair,
|
FNMI & Prairie Connections
|
“Lucy was formidable. She knew everybody on the reserve
and what they were doing. She could trace families all the way back to the old
days before whites arrived.” (p.212)
|
*** Visual project “Everybody is
related, “Lucy told us. “The trouble with this world is that you wouldn’t know
it from the way we believe.”(p.213)
Chapter 26 page
214-219
Main events
|
Tecumseh tells his mother that he thinks that auntie Cassie
is Pregnant and it’s alright if she gives his baby clothes away. (but we
really know she’s not pregnant) the Mother tells Tecumseh that she wasn’t on
a date with Elvin that night, it was Monroe swimmer.
|
Characters
|
Tecumseh, Mother, father,
Lum, Monroe Swimmer,
|
Elements and techniques
|
|
Dramatic purpose
|
We discover more about the mystery (the mother and
auntie Cassie): “tell me about the time you and Auntie Cassie switched
dresses in that restaurant.” (p.218)
|
Themes and motifs
|
|
Symbols and vivid words
|
Duck,
|
FNMI & Prairie Connections
|
The Waterton Hotel : “inside the box is a silver belt
buckle with “ Waterton lake””
|
Chapter 27 page
220- 234
Main events
|
Indian days start; many people have stands set up
selling things to tourists. Elvin gets the car fixed Tecumseh goes to find
his mother to show her the car.
|
Characters
|
Father, Mother, grandmother,
Lum, Marilyn Monroe, Edna, Lucy, Auntie
Cassie, Bill, Rudy, Rebecca Neugin, Shirley,
Charlton Coombs,
|
Elements and techniques
|
Allusion: “Lucy holds her dress down as the wind swings
through the booths and snaps the flags and the streamers.” (p.222)
|
Dramatic purpose
|
|
Themes and motifs
|
|
Symbols and vivid words
|
|
FNMI & Prairie Connections
|
“Other artists come in from places like Red Deer,
Medicine River, Hobbema, or from across the line.” (p.211)
“She points with her lips and makes elaborate signs.”
(p.223)
|
Chapter 28 page
235-241
Main events
|
Tecumseh spy on his mother and father, but it’s really
his auntie (not his mother) he tries to listen about the car. Tecumseh goes
to the bridge to try to find Lum. Lum cut off his hair and painted his face,
he’s limping and his hip is hurt.
|
Characters
|
Tecumseh, Elvin, Auntie Cassie, Lum
|
Elements and techniques
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Dramatic purpose
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Mystery: Auntie Cassie and Elvin arguing about finding
ghosts “if you want to chase ghosts,” says my father “go right ahead.”
(p.235)
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Themes and motifs
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Ghosts and death: “if you want to chase ghosts,” says my
father “go right ahead.” (p.235)
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Symbols and vivid words
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FNMI & Prairie Connections
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“I can see why Lum likes it here on the prairies. The
fog stays low and wraps itself around the camp like a quilt, while above us
the sky is black and clear and bright with stars, and it’s easy to imagine
you are the centre of the universe.” (p.240)
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Chapter 29 page
242- 249
Main events
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Characters
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Auntie Cassie, Elvin,
grandmother, Skee Gardipeau, Monroe,
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Elements and techniques
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Juxtaposition/ magic realism: “…cows bellowing and I
wonder if they can remember the good old days when they had the place to
themselves, before they had to worry about Indians running them off cliffs…”
(p.249)
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Dramatic purpose
|
Tecumseh realises that the AIM tattoo really stands
MIA: “I notice that MIA. It’s supposed to say AIM, but what it says in the
mirror is MIA.” (p.246)
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Themes and motifs
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Symbols and vivid words
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FNMI & Prairie Connections
|
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Chapter 30 page
250-260
Main events
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Characters
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Elements and techniques
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Dramatic purpose
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Themes and motifs
|
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Symbols and vivid words
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FNMI & Prairie Connections
|
Monroe has a giveaway and gives away most of the stuff
from the church
“So was this your ideas?” “What” “The giveaway.”
|
Chapter 31 page
261-273
Main events
|
Tecumseh and Monroe are finishing cleaning up after the
giveaway. We figure out that Monroe was the women they saw at the beginning
of the book throwing bones off the horns, and then jumping. Monroe stole
bones from different museums and would set them free, where they should be.
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Characters
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Monroe, Tecumseh, father, Rebecca, Lum,
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Elements and techniques
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Dramatic purpose
|
|
Themes and motifs
|
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Symbols and vivid words
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|
FNMI & Prairie Connections
|
|
Chapter 32 page
274
Main events
|
|
Characters
|
|
Elements and techniques
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Dramatic purpose
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Themes and motifs
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Symbols and vivid words
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|
FNMI &
Prairie Connections
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|
Chapter 33
Main events
|
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Characters
|
|
Elements and techniques
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Dramatic purpose
|
|
Themes and motifs
|
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Symbols and vivid words
|
|
FNMI & Prairie Connections
|
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